Fellrath hines biography of alberta

We presented Artist Felrath Hines at Samuel Felrath Hines Jr. (November 9, – October 3, ) was an African American visual artist and art conservator. Hines served as a conservator at several institutions, including the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and his paintings can be found in the collection of the Smithsonian American Art Museum.

This is the first-ever full-length

An artist first and foremost, Felrath Hines () worked to create universal visual idioms from a place of complex personal experience. Though known to be “color blind” in his relationships with friends and acquaintances, Hines’s life in 20th century American society was as vibrant as his ever-more-subtle works of art.

A founding member of Samuel Felrath Hines Jr. was an African American visual artist and art conservator. Hines served as a conservator at several institutions, including the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and his paintings can be found in the collection of the Smithsonian American Art Museum.

Alberta Rehm Miller was Felrath Hines () was born and raised in Indianapolis. He attended the Art Institute of Chicago before moving to New York to study with the Russian modernist Nahum Tschacbasov. He later studied design at the Pratt Institute and New York University.

Her new book, The Life In addition to being a dedicated artist throughout his life, Felrath Hines was the first African American chief conservator for the Smithsonian Institution’s National Portrait Gallery and private paintings restorer for artist Georgia O’Keeffe.

Allegheny County (3)[-] · Written by Rachel Berenson Perry, author and former fine arts curator of the Indiana State Museum, it tracks and chronicles the life of Felrath HInes, from his early days in segregated Indianapolis to his successful career as conservator and artist.

Hines, Felrath, 1913 - Artist Biography Hines was an early and prominent member of Spiral, an association of African American artists founded in New York in the s in response to the Civil Rights Movement. His later geometric abstractions embrace the universal language of pure shapes and colors.

Originally from Indianapolis and Felrath Hines: A Personal Pursuit consists of twenty works, spanning from in an effort to contextualize how his exposure through his conservation work to different methods and materials affected his personal practice. This exhibition surveys his career for the first time since the Ackland Art Museum’s retrospective in North.